so I think it was fellow-Antipodeans-who-like-to-rock-the-party Flight of the Conchords who diagnosed the problem that when you’re doing cool things you could update your website with, you’re definitely way too busy to be updating a fricking website.
Lull Studio’s last 6 months included:
- Developing a major artwork with robotics and AI in A Better Version of You at Artsonje Center, Seoul and Miraikan, Tokyo + upcoming tour to Beijing and Europe (reviewed in VICE and Lens)
- Presenting Actroid Series I in Artificial Intelligence Art and Aesthetics Exhibition, Okinawa Institute of Science and Technology (OIST), Japan (traveling to here and drinking snake wine)
- Building and dealing with the unexpectedly huge public response to our 300sqm interactive sensory art installation Snoösphere in The Big Anxiety
Other work programmed in these festivals:
- Video Art Experimental Film Festival (VAEFF), New York City
- Les Femmes Underground International Film Festival, San Diego
- Dublin Feminist Film Festival, Dublin
- Festival Silêncio, Lisbon
- International Video Poetry Festival, Athens
- Blue Magpie Experimental Film Series, Hsinchu City Taiwan
- Simultan Festival XII (Possible Futures), Timisoara Romania
The Lingering and the Stain winning Honorable Mention at LA Underground Film Forum
Our tiny side [music] project Actual Russian Brides shown in:
- Richterfest, Moscow
- International Music Video Underground, Paris
- and many small shows in Japanese whiskey bars
Publication of:
- ‘Terminal_emulator’ (Knox 2017) in Design Ecologies (Time Crimes), Intellect UK
- ‘Affective ovation: Re-performing the dehumanised woman onscreen’ (Knox 2017) in Studies in Theatre and Performance
Presentations at:
- 26th IEEE International Symposium on Robot and Human Interactive Communication (RO-MAN), Lisbon, Portugal
- Cyberfeminism: Faceless Agency, Goethe Institut Korea and Goethe Institut China
And a bunch more stuff but now this post is boring and sounds like a CV. We promise to do better. Here’s a robot.
